Earle Olsen
artist
My current project is a family history of art and life called Daddy-O. In it, I delve into my father’s career as a painter in 1950s New York City and my grandfather’s career as a commercial designer in early 20th-century Chicago. You’ll find more about Earle’s work on this website. You can find more of my writing about his work in the archive of my Substack, From Life. Or subscribe here.
Mixed Signals
It’s been about a year since I last updated my blog. What a year, huh? I finished drafting the family memoir detailed on these pages, wrote case studies for tech companies, trained and coached product managers, and sheltered in place. No more research trips! But there is still much to find—or stumble upon—online.
Vital Records
Life stories depend on birth and deaths; they frame the narrative, so to speak, with a start and endpoint. But for genealogists and family historians, they are trickier than you’d think, even in the modern era (in the administrative sense of modern: ie. after governments starting keeping civil records, usually in the nineteenth century).
Pre-Story
The making of meaning starts with evidence, the data points that stretch like beads along a thread of thinking. In this metaphor pieces of evidence are like shells on the beach: three-dimensional objects of various shapes and sizes and origins that one might look for actively or come across by accident. But evidence can also be abstract, like a memory or a sensation, an experience that becomes a poem for an artist or an insight for a psychologist, a bodily symptom that leads to a medical diagnosis. It can be a story, a song, a smell, or a taste, like Proust’s madeleine.